Digital billboards run whether or not every slot is sold. When a week goes unsold it's worth nothing to the screen owner so they'd rather move it cheap than run filler. We buy those gaps and list them here. Same screens, same traffic, a fraction of the rate card. The trade-off is simple: it's last-minute and it's first come, first served.
Browse hundreds of screens across 14 regions. Filter by area, budget, dates or audience. Every price you see is the real price for that week.
Send your details and we hold the board free for 24 hours. Add your artwork (or brief us) and we handle the booking with the screen owner.
Your ad goes into the rotation from the Monday your week starts and your business is up in lights.
A digital billboard loops all day regardless. An unsold slot earns the owner nothing, so a late discount costs them nothing.
You can't plan a campaign six months out at these prices and the good spots go first. What you get is exactly the same screen, in the same position, seen by the same audience.
Creative prices are a starting point. Send us the job and we'll quote it properly before anything is charged. Prices are in New Zealand dollars and exclude GST (15%). A $50 refundable deposit applies if you're holding more than 3 boards at once, and it comes straight back when you book or when the hold lapses.
A digital billboard runs whether it's sold or not. The screen is already built, already powered and already lit, so a week nobody books earns the operator nothing at all. Selling it late at a fraction of the rate card beats selling it for zero.
The percentage on each listing is measured against the screen owner's own published rate card (the price for booking that board properly, in advance). Same screens, same operators, same rotation the national brands are in.
Choice and lead time. You're buying what's left rather than picking the perfect board six weeks out, so the screen you want may not be free the week you want it and the list changes as weeks sell. If you need a particular site on a particular date, for example a launch or an event with a fixed day, it's better to book it the traditional way and pay the rate card.
What you don't give up is the inventory itself. It's the same screens, the same share of the same loop and the same audience a full-price booking gets.
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